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collar with bells

unscrupulous levels of public figures have reached impossible levels. Yes and we all know how miserable they are certain public figures. We know that stolen, they send to silence its critics, who skip the bars of justice, which spouts of laws, in the end have not been written yet those that make them pay for their misdeeds. We know all that. But then, if all we know, why are we allowing these individuals continue to access to places where you thrive? Much influenced by our carelessness. Much of our conditioning from years systematic. Much our inability to contemplate a different picture.
Already the old fable of the bell the cat does not work. Because everyone is so bullies that have hung the bell more than once. But then why the cat continues to commit such outrage? Because both rattlesnakes, mice, and we consider it a natural part of your body. And more scandal to make their bells, we do not get to safety.
people already know, people research, alternative media give us the proof, Wikileaks crumbles us rotten policies. And yet we have not changed our attitude. We providing generations of unwary into the ranks of corrupt system, youths affiliated to the old mass parties, replicating the false democratic exercise of voting for the different color of our yoke.
We've hung the cat all the bells at our disposal, yet it still causes affect the population of mice. The problem is not the number of bells that have hung the cat. We are the mice that we have become accustomed to the ringing of bells. So do not react. The cat meanwhile, has acquired a terrible cynicism, knowing that with everything and scandal generated by their presence, can act freely.
now needed a more drastic: limarle teeth, cut nails.
And we can not trust our initial emissaries. Those who were sent to bell eventually become part of their gang. And now we must also take care of them. And those are the worst, because they go to the nest with his pint of mice all but convinced that they will to become cats. And maybe they are, but in the sense that we give to be a cat. Are the cats of the system to be provided, torment their peers: we ordinary mice. Now we need a new breed of mice with more value, and hang the bell did not stop, but determined and equipped and supported to extract nails and fangs to the voracious cat is the system and its politics and world economy and its tool institutionalized corruption.
Who then, is the first mouse armed to disarm the cat?

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Pearls


Con cada edición de la Feria del Libro Antiguo y de Ocasión, la Universidad de Sevilla tiene de unos años a esta parte la loable costumbre de publicar un libro que, presentado como un complemento más de la cita, enriquezca la misma con nuevas investigaciones o visiones de la historia sevillana relacionada en mayor o menor medida con el mundo del libro. Al publicado en la edición anterior, el interesante Enfermos del libro, Miguel Albero, now joins this A world of books, anthology llamésmola, bibliophiles, since the charge of the edition, Professor Yolanda Morato-author also of a chapter-brings together pages on their travels different authors for the libraries of old and antique half the world.
Following a foreword by Juan Manuel Bonet, which also offer their scrupulous investigation by the juicy backroom Parisian quixotic journey, something feverish, begins in the city of Seville, with a long tradition in the world of old book. The oldest Fernando Ortiz traces the vision of the libraries were, while Juan Bonilla designs the contours of which follow, a path encouraged by his usual antics and memorable episodes. In Madrid, Jesus Marchamalo dedicated dive into the books, while the essential Andrés Trapiello greets regular suppliers almost as one of the house. In fact, if you wander through the Cuesta Moyano, create shadow always guess the writer Leon. The European tour continues with the invaluable Iwasaki, checking if they are true legends and myths circulating about the Shakespeare and Company, continues to prowl Morató letraherido of London, with the protective embrace feels Emilio Quintana in bookstores Stockholm and culminates with the exciting ride Eva Diaz Perez for the fascinating Prague and Budapest, owners of unknown places steeped in nineteenth-century beauty.
crossed the pond and came to America with a fun trip Bonilla Latin American libraries seeking hidden treasures at bargain prices, and an equally hilarious story of another seeker, José María Conget, which is almost always ahead of the antiquarian bookseller by excellence of our country, Abelardo Linares. This odyssey of ink spent and yellow paper culminates with the visions of Morató about New Orleans, Garriga Vela on Caracas and Miguel Alberto on Buenos Aires. All of them offer clues and places that we can not ignore, and remind us that sometimes a good edition of this book we thought was lost is well worth allowing ourselves a little life.

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buried weapons nostalgia



A José Manuel Benítez Ariza, how could it be otherwise, I met him in a movie theater. But not in a movie either, but at the Teatro Falla, now occupied by the insidious murga of the carnivals, at the end of one of the films that were projected under the Scope Displays, back in 96: both have already passed? I had just read my Chalk Stripe (Pre-Texts), a novel that I bought by accident in the Seville Library Vertex, located then on Calle Mateos Gago, and where, and by chance, end up working a few years later. When the lights came up and the spectators sitting in the row of seats in front of me, I recognized immediately the subject, with parsimony, was leaving the room. He was the author of this first novel that had me so excited, or at least closely resembled the guy in the photo flap. Quickly process data in my head: Benítez Ariza was reminded that Cadiz, and that the novel betrayed his passion for cinema, so it was perfectly plausible that the man was who he really looked.
I was finishing the post with my brother Felix, or were about to do so, the first issue of a cultural supplement in a local weekly, and the excuse to interview, in case the reader fascinated fell short or rang a little weird to be then a little-known author, decided to deal with the courage of young enthusiastic and unabashed. I was surprised to meet someone so simple and humble as characters showing through that first novel and the commitment of a close encounter that had overtones of being a ritual formula. This interview, entitled enlightening - "The greatness of simplicity" - end up in the pages of the essential Clarín, that time had also landed in the now as invisible literary magazine world.
Since then, my meetings with Benitez Ariza were happening giving rise to a long friendship, despite the vicissitudes of work and the physical distance has been maintained over time, personally throwing some significant milestones, and never thank him enough, as its presentation, now almost ten years ago at the Teatro Principal de Sanlúcar of my first book, film Soup, his invitation to collaborate in the journal which coordinated for a while, The Round Book or put me in contact with the ineffable José Luis García Martín. Yesterday we
match in Cadiz in the making length of fog banks, remember those distant days, and I got to thinking that Benitez Ariza and I share quite a few common interests in narrative, especially our passion for film, I especially remember his wonderful collection of articles The imaginary life - and that tone of melancholy and nostalgia that we can not avoid writing . In this regard, as yesterday also reminded me of another great introducer, poet, and above all, a friend, Tomás Rodríguez Reyes, fog banks shares winter holidays and New Life the appreciation of personal memory in those years childhood and adolescence-eighties in my case, over seventy in Benitez Ariza, which indelibly marked the adult we are today and that always makes us look back to rebuild the fabric of fiction. The diptych of José Manuel, who will by no-dig triptych delinquent and exquisite sensitivity in lost time and still kicking inside of us and sticks at each corner like a naughty child who does not want to stop playing with our memories. Whether it's a childhood burdened by a long convalescence - Winter Break - or a quiet affair populated adolescence and political upheavals - New Life - Benítez Ariza has, as the writer of these lines, the spirit made the recall, this Baudelaire spleen that traps us always with pen in hand or fingers on the keyboard. The protagonists of both novels, as Andrew and, perhaps, the Mario fog banks, have a lot of its author, while sometimes hard to distinguish, however that the facts being distorted, to adorn or reinvent thanks to the power of fable. This unbreakable alliance and indistinguishable from fact and fiction is another feature that unites us in this "profession? narrators, because I think you'll agree Benítez Ariza me that the disguise, dissimulation, is always the best friend when it comes to draw on the memories. The truth always hurts a little more.
probably takes us to re-match in a literary event, but we will always have that "smoke" that will warn us of the presence of others, their achievements and efforts to be faithful to this melancholy glow.

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On Thursday we presented in the Fnac de Sevilla banks of fog. writer and friend Daniel Ruiz García made an invaluable introduction worthy of inclusion in the top ten monologues Comedy Club . A server brought the melancholy note reading two pieces finally not included in the novel, and Marianela Nieto, his voice of an angel (and not say because it's my wife), he recited two poems that Mario could have written it from its chrysalis. Thank you all for coming and make the evening unforgettable.